Still Standing

I love this photo of my brother in front of the Detroit City skyline.

Sometimes we get knocked down. For a while. We lay there, supine, gazing at the world with hazy longing while an invisible anvil pins us to the bottom of an indifferent river. An eternity ticks by in slowww-motion, tick, tick, while a hundred sunrises and a hundred sunsets quietly stain the sky. But today is a new day . . .

Forty years ago I fled the family nest, which had been uprooted in the early 60s from Detroit to a remote mining town in northern Ontario. It was always my intention to leave, but I visited often over the years, somehow believing that it’s the one who left who must always make the effort.

Guilt. It can play crazy tricks with the mind. But guilt for leaving a sad place that was never yours is absurd… especially in that moment when black ice sends your car careening through three feet of powder toward a frozen ravine while your baby screams in terror. The absurd has stubbornly lingered over time… but the gods were with us that day.

Thanksgiving. My brother traveled a thousand kilometres in late November for a long-awaited reunion with our family clan in Windsor and Detroit. Cancer and other setbacks had delayed his visit, but here he was at long last. My beautiful, brave, sensitive brother, ravaged by illness and radiation. A survivor. He stayed for five wonderful days – we talked, drank, laughed, and cried, but mostly we marvelled that we had made it this far. As a parting gift, I gave him our father’s helmet [1].

Melancholia. This thing that I naively thought I was leaving behind, in a small mining town so long ago, turned out to be a merciless stalker. Forty years, and thirty moves… apartments, houses, towns and cities. Lots of them, but still… the shadow persists. Just the other night I dreamt that I got the keys to a new apartment (right next door to my son and his family) – one with big windows, a parquet dance floor, and space to paint large canvases. I awoke with a lingering sense of joy that was gone before noon. And then this article from Brain Pickings crossed my path, What Depression Is Really Like. Van Gogh describes it well.

Reflection. I think for the first time in my life, I’m finally getting it. The moving thing. Endlessly running from the “black dog” with a carefully crafted rationale obscuring the truth. The truth. I cried for seven hours on this last U-Haul road trip in 2014, the flood-gates unleashed during a farewell hug after breakfast with my best friend, Kelly, in the parking lot at Burger World. Christ, I weep just thinking about it. Writing does that. It brings you to your core.

[1] While writing this post, it suddenly occurred to me that this is probably a preamble to the yet to be written Part 3 of The Diving Helmet. Follow the links to read the story from the beginning:
The Diving Helmet – Part 1
The Diving Helmet – Part 2

[Postscript] ** After publishing this post I realized the irony in the title, Still Standing. Detroit (the backdrop in the photo) is currently rising out of a long, dark period, and reinventing itself. I love that!!

Beyond the Grave

Mixed States Series: Impression

You didn’t know
I would pull you
from the grave
and hold you so close,
but neither did I…
and now here you are
your blood in my veins
a face in the mirror
that is not me,
but us—
a father
a daughter
a mysterious fusion
forged ever so lovingly
because I still believe in you.

Imagine the place
where miracles are born
of hearts and desires
and the alchemy of the impossible
is made tangible to the soul.

The more I work on the Mixed States project, the more I feel connected to my father, who was lost to me in a fatal car accident when I was only five years old. After his passing I was not permitted to grieve, and for fifty years it was drilled into my head that he was nothing but an asshole. This was difficult for me to reconcile because I was his only daughter daddy’s little girland in 1963 he was frozen forever in my mind as a god on a pedestal. A wise person recently suggested that [in order to resolve conflicting stories and feelings] I needed to learn who my father really wasnot the god, not the supposed assholebut the human being inside the man.

What I’ve learned so far is that he was very generous, affectionate, a great storyteller, and a gifted artist. He liked to travel and read, and always kept a dictionary beside his bed. He loved new gadgets and cameras, and his boundless passion for knowledge required a serious investmenta twenty-four volume, leather-bound, hardcover set of the 14th edition of the Encyclopedia Britannica (1962). I just know my dad would have loved today’s gadgets, Google, and especially the work that I do! I’d like to think that he would have been proud of me.

The Mixed States project is turning out to be much more than I had anticipated. Today I ran the first generation double-exposures through additional processing, which has transformed the images even further. Unexpectedly, it gave the feeling that I was melding my father even deeper into myself, thus the Beyond the Grave idea and the poem above. Although this journey is intensely personal, I can only hope that my work resonates with some of you out there. ❤

 

Album Cover Nostalgia

LaRiviere_Abstract-2

My earliest training in the arts as a young adult was taking night and weekend courses in graphic design and airbrush painting in Vancouver. There were no computers in those days, and everything was done mechanically by hand. As an audiophile with a collection of LPs (250+ now all gone), I was always impressed by album cover art and spent a lot of time studying the fronts and backs of the covers. These days I’m more of a technophile, and whenever I discover new apps I spend hours processing hundreds of [my own] photos and images through one or more of the apps to see if anything interesting happens. Maybe it explains why I’m so drawn to the square format for much of my work… because these images sure remind me of album cover art!