The Question of Humour

Several years ago an incident occurred which left me feeling deeply wounded and upset. It was at that moment that I began to examine what people consider funny, or more precisely, what legitimately qualifies as humour. My analysis yielded answers that were not entirely surprising, and now the recent violence in Paris has me thinking again.

The incident in question happened when I answered the phone one day and was greeted by a sing song, “I’m seeing your son, and you’re not, hahahaha!” It was delivered by a family friend in the familiar school yard tune we all know as, na na na na naaaa. We see this brand of juvenile, so-called humour all the time in the movies, on television, and Youtube, et cetera. People aren’t even aware that they’re doing it because it’s been so thoroughly normalized in our culture, but to me… it felt like a knife in the heart. You see, my son had moved away as a child to another city to be with his father, and I was not able to follow him. Any parent would understand the agony of such a separation, and to this day we are still not able to live closer to one another. Poking fingers into wounds just isn’t funny. Period.

So, what is it about humour? I think we can all agree that there are essentially two types. Let’s call them, positive and negative. First, there is the harmless hilarity of laughing at ourselves… you know, those quirky human traits we all share that, when skillfully described by a comic, have us rolling on the floor in leaky hysterics. We love to laugh at ourselves, and comedians have capitalized on this for decades. The other brand of humour is dark, however, and is not so innocuous. It comes at the expense of others and is about “making fun” of someone else, for example mocking, ridiculing, belittling, humiliating, criticizing, and so on. At its core it is nothing more than a put-down disguised as a joke, and in my view this very closely resembles bullying. There is certainly an element of provocation and thinly veiled cruelty to it.

Sadly, modifying our perceptions and behaviour is a slow and painful process. For millennia we’ve indulged the baser instinct of laughing at each other. We laugh when others get hurt. Popular culture persistently upholds and promotes this type of negative and antagonistic aggression… so really, it isn’t a surprise that bullying is at an all time high in schools and in the work place. And further… it isn’t shocking that newspapers deliberately publish provocative material masquerading as humour while knowing full well that it will upset somebody somewhere.

So… as long as “making fun” of others in the name of humour is vociferously defended as free speech, then there will continue to be conflicts and horror in this world. Fingers don’t just poke existing wounds, sometimes continued poking actually creates the wounds. And then what? We can turn the other cheek like Ghandi did, but most of us would probably snap like the wild animals we all have the potential to be. Isn’t it time that we finally exercised some degree of sensitivity, compassion, and common sense? Isn’t it time we realized that some things just aren’t funny.

 

The Destroyer

Dagger eyes
accusing voice
perpetually poised
to attack and crush
the one she fiercely claims
to love
to everyone else

I wait
for the sweet soft magic
of a tender look
of a kindly word
I wait
and wait

I ask
and wait
while silver tendrils
grow long
at my temples
and the object
of my desire
denies
the object
of her love
access
to her stone cold castle
where she crouches
armed
ready to destroy
the one she so fiercely claims
to love
to everyone else

Yesterday I stumbled across a poem that I wrote in 2013 when I was going through an extremely painful time. It took almost a year to grieve and let go of a lifetime of unfulfilled expectations, and to finally move forward with compassion and dignity. I thought she couldn’t get to me anymore and have continued reaching out to her, but from a less vulnerable place. It was her 83rd birthday a few days ago, and well… I guess she got to me.

It’s time to re-read my books:

Trapped in the Mirror by Elan Golomb

The Four Agreements by Miguel Ruiz

And anything by Eckhart Tolle helps a lot too. If you’ve come across any other books that deal with difficult parent/child relationships, please share them here. Thank you, and may love and kindness shine upon you today and every day.

 

 

Tutorial: Hanging Your New Artwork

So you’ve bought a gorgeous piece of art for your home, but you’re not sure how to hang it. Here’s what to do!

HOW HIGH?

The rule of thumb is that the centre of the work should always be at eye level. This will allow everyone to fully appreciate the beauty and detail of the work, enhance the balanced look of your room, and it will also give the impression that you’ve hired a professional interior decorator!

Art galleries around the world use a standard formula based on the eye level of the average adult when hanging two-dimensional artwork. Consistency is key!

THE BASICS:

The standard eye level height is generally between 56 to 60 inches from the floor (some even go as high as 62 these days), so you can choose whatever best matches the height of the people in your environment. Whatever you choose, it should remain the same for each piece.

The height of artwork, including the frame, is measured in order to determine the exact centre point measurement. For example, a work that is 24″ high will have a 12″ centre point, and a 36″ piece will have an 18″ centre point, and so on. (see diagram, C) Each piece will be hung so that the centre point is always at eye level, no matter how small or large the artwork. (There are other formulas, but this one is pretty fool-proof.)

The other important measurement you need is the distance of the stretched wire from the top of the work. The ideal is 3″ but many artists and framers don’t consider this when attaching wire to the back of an artwork. (see diagram, A-B)

THE FORMULA:

(This tells you where to place the picture-hanging hook on the wall if using a 58 inch eye level format.)

  • For a work measuring 24″ with a 3″ wire allowance, place the hook at 67 inches from the floor:  (24 ÷ 2) + 58 – 3  =  67 inches
  • For a work measuring 36” with a 4” wire allowance, place the hook at 72 inches from the floor:  (36 ÷ 2) + 58 – 4  =  72 inches

NOTE:  In cases where works are hung in groups, the centre of the grouping then sits at eye level.

Artwork Credits: Oncoming Storm by Brent Trach, (painting not to scale)