Mother and Child Relief Sculpture

Completed "Mother and Child" with final bronze patina.
“Mother and Child,” cement fondue, 36 x 48 inches (approx.)

Mother and Child is a relief sculpture that I made while studying at the University of Guelph. The assignment was to design an abstract relief sculpture for the lobby of a hospice, but I was having difficulty because the anniversary of my own child’s death was approaching. My professor, the Canadian sculptor John Fillion, was critical of my preliminary sketches (because they were too “soft and round” apparently), but after learning my story he spoke at length about the German artist, Kathe Kollwitz, and the depth of her work around death, dying, and loss. To my surprise, he suggested that I do a figurative piece. I don’t remember if it was him or me who selected Kollwitz’s 1903 etching, Mother and Dead Child… somehow I think it was him. In any case, I used models, including my son, a friend, and myself in order to render and personalize the figures.

Kathe Kollwitz, "Mother and Dead Child," Etching, 1903
Kathe Kollwitz, “Mother and Dead Child,” Etching, 1903

Mother and Child did hang on my wall for a few years, but it has been in storage up north since 2001 when I took a teaching contract in Mexico. This August 2nd, I’ll be attending my niece’s wedding and will be picking it up, which is why I’m writing this now. Although I initially thought I would never be able to part with this very personal piece, the truth is that it’s time to let it go. I don’t want it anymore and am hoping that someone local might be interested in purchasing it. I’ll be putting the word out via social media, but if you’re reading this and would like more information, please feel free to contact me.

For hanging, cable was embedded in the cement during fabrication. The piece weighs over fifty pounds, and a couple of bolts screwed into the wall studs will safely support its weight. (I patched and painted the walls when I moved, and everything was left pristine.)

About the process:  Working in sculpture using the casting technique is a long and very involved process, and “Mother and Child” took two months to complete. Below are photos that were taken during several stages of work. Missing are steps 4 (submerging the entire cast in a cold bath overnight while the plaster cures), 5 (removing the clay and washing the cast),  7 (returning the cast to a cold bath while the cement fondue cures), 8 (carefully chipping the plaster cast off the cement fondue sculpture with a chisel and wooden mallet), 10 (applying a thinned enamel wash to the sculpture and buffing it), and finally 11 (lightly painting the sculpture with several different metallic spray paints to achieve a bronze look).

 

 

The Diving Helmet – Part 1

Ray (Intaglio Print)My father was a “deep sea” diver in the 1940s and 50s, trained by his father and uncle Ted in northern Ontario. I suppose they did it for fun, like searching for fabled sunken barges loaded with gold in cold dark lakes in the area, but they were also periodically hired by the Timmins police department to drag the Matagami River.

I try to imagine what it was like walking with leaden shoes on the bottom of a tea coloured lake. I see the little window grill in front of my face and hear my compressed lungs inhaling and exhaling rhythmically inside the bubble of a metal helmet. I imagine my father.

He left us far too early, at the age of 33, thrown from a turquoise 59 Chevy station wagon one stormy evening in Detroit. When I was old enough to read, I searched for him in his collection of books. I read John D. Craig’s Danger is my Business, and learned about tangled air hoses, the bends, and giant squid. I coveted that old book, with its yellowing deckled pages and brown cloth cover. It was the beginning of my appreciation for literature and yearning to travel to far away places. I was 10 years old.

Later, when I was studying intaglio printmaking at the University of Guelph, I searched for my father in old, frayed, black and white photographs and tried to capture him on copper plates in acid baths. I was 33 years old. It was the first time it occurred to me just how young he was when he died. I purchased a CD of Hank Williams greatest hits–his favourite music–and played it on repeat for months while I worked in my basement studio. It was a time of intense longing and creativity.

In the old photos of my young father in his torn and patched diving suit, there were no good views of his helmet in its entirety. It was important to include it in the portraits I was working on, so I searched the library for something that resembled my memory of it. In the early 60s, he had built a cement pool in our backyard and liked to walk on the turquoise floor in his suit. I was always fascinated with the helmet, which to me was like an enormous, exotic jewel. The print above is the result of my research, and I gave framed copies to my brothers.

Being the eldest in my family, I remember a lot about my father and his side of the family, but they all moved away and drifted into obscurity decades ago. Finally, after years of longing, imagining, and searching, I had quietly given up, but one of the most amazing things that could have happened materialized this year–my father’s two sisters reached out to find us.

I am an ecstatic and changed woman because of this unexpected reunion with my tribe. I also met two of my father’s brothers, one of whom resembles my father so much that it took my breath away. He is stricken with Alzheimers and frail, but he stood with much effort to embrace me, and said only one word, “Finally.” Yes, they remember me as a shy little girl, and I remember them as smiling young men and women, but ours is a bond of blood that survives the test of time. There are many cousins in this clan, including one who walked me to kindergarten… yes, this is a happy day indeed.

So… this is not the end of a story, but the beginning of a new chapter. And oh, about the helmet! My brother thought it was on display at a restaurant up north some years ago, and that it is now lost, but it turns out that one was my great-uncle’s helmet, and my father’s is in Detroit in my uncle’s garage. The family has decided to give it to me, and I’m going to pick it up next month! I’m so incredibly thrilled!!! I feel as though I’ve found the holy grail. And… I think this just might be the impetus for a new body of work that is formulating in my mind this very minute.

Read The Diving Helmet – Part 2 here.

My father is 17 years old here, and is standing with his father at a dive site.